Kincaid once said in an interview that her history began on ships and continues as corruption. The story of the mother creating the daughter is not unlike the works of Mary Shelley (Frankenstein) or John Milton ( Paradise Lost) in the sense that the created becomes more than the creator intended. Gradually, however, her mother introduces death and separation in order to mature Annie and prepare her for the world. Her omnipotent mother keeps the powers of the world and of death at a distance. At first she is the sole figure in that Eden-she has only her parents and Miss Maynard to interact with-and she maintains her sense of singularity when she finally begins mixing with others. Annie is a girl growing up in an idyllic garden setting. The result is an effective rendering of a girl's struggle to discover her own identity.
That art is a prose blend of European, American, and Caribbean folk forms of expression. Through Annie, Kincaid has brilliantly brought girlhood in the West Indies to literature as a masterful work of art. This bildungsroman (coming-of-age story) has become Kincaid's best-known work to date. Some critics consider Annie John a novel because the compilation of interwoven stories uncover the moral and psychological growth of the title character. Her second book, Annie John (1985), is comprised of short stories that first appeared in The New Yorker. Simultaneously, Kincaid expresses the significance and politics involved in that transition.
Kincaid has been praised for her ability to tell the story of a girl attaining womanhood with all the emotion and beauty it deserves. Ever since Jamaica Kincaid's work began appearing in The New Yorker magazine, it has excited critics and enthralled readers.
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